Manot – The dust that raised a Jawahar in the desert – Bikaner – In conversation with Shanane Davis and Graf Adhiraj Singh https://olkaannishtah.com/wp-content/uploads/2021/12/Shanane-Davis-and-Graf-Adhiraj-Singh.mp4 The sublime usage of iconography to portray power and politics in South Asian Painting – In discussion with Shanane Davis, Graf Adhiraj Singh and Vinit Vyas Continue Reading
Indian art history
Phenomenal She Award
At the Constitution Club of India on the 7th of March, 2021 Shanane Davis was honoured with being recognized as one of the 100 leading ladies of India for her contribution to Indian art and material culture. The reception was organised by INBA, The Indian National Bar Association. The Honourable Continue Reading
Colonial-Period Court Painting and the Case of Bikaner
Molly Emma Aitken, Archives of Asian Art, Volume 67, April, 2017. ©2019 Duke University Press. All Rights Reserved. Nineteenth-century court painters in India’s princely states reconfigured traditional portraiture to address British, Indian courtly and local values and conventions. At Bikaner, a father and son, Rahim and Chotu, experimented with a Continue Reading
Old Methods in a New Era What can Connoisseurship Tell us about Rukn‐Ud‐Din?
Molly Emma Aitken, Shanane Davis, Yana van Dyke Book Editor(s): Rebecca M. Brown, Deborah S. Hutton First published 26, July, 2012 – Copyright 2011 Blackwell Publishing Ltd. Chapter available for purchase following the below link https://doi.org/10.1002/9781444396355.ch10 Olkaan Nishtah